I read the news this year, oh boy…
And so the Year of Death and Brexit and #MAGA comes to a merciful end. Yes, it was a horrific year for unity and truth and famous people staying alive. The awfulness extended to the classical music world as well. We said goodbye to far too many titans this year: Pierre Boulez, Auréle Nicolet, Steven Stucky, Louis Lane, Otto-Werner Mueller, Nikolaus Harnoncourt, Sir Peter Maxwell Davies, Brian Asawa, Jane Little, Huguette Dreyfuss, Gustav Meier, Inocente Carreño, Gregg Smith, Einojuhani Rautavaara, Neil Black, Sir Neville Marriner, Zoltán Kocsis, Jules Eskin, Pauline Oliveros, Karel Husa, Heinrich Schiff, and many many others.
But 2016 wasn’t all bad.
1. A new work by Igor Stravinsky was performed. That’s right, music by Stravinsky from 1908 that most scholars believed lost forever, was discovered last year and given its first performance in 2016. You can watch/listen to it here.
2. Three Berlin orchestras performed a free concert for refugees. It was a rare joint appearance by the greatest of the Berlin orchestras: the Berlin Philharmonic, the Staatskapelle Berlin, and the Konzerthaus Orchestra Berlin. The concert was titled “Welcome in our Midst,” and featured performances by all three orchestras and their principal conductors Sir Simon Rattle, Daniel Barenboim, and Iván Fisher, who addressed the audience in Arabic at the beginning of the concert. “As musicians, we feel welcome anywhere in the world,” the three conductors said, in a joint statement. “We hope that this also applies to people who have been hit hard by fate and who were forced by war, hunger or persecution to leave their homeland.”
3. For the first time in 113 years, an opera written by a woman received a performance at The Metropolitan Opera. It’s a gasp-worthy stat that represents a reality at The Met that is wholly indefensible and which led composer Kaija Saariaho–whose opera L’Amour de Loin received a highly-successful run this December–to declare with a certain amount of exasperation, “You know, half of humanity has something to say, also.” Are you listening, arts org admins?
4. An orchestra, comprised entirely of refugee musicians, gave its first performance. The Refugee Orchestra Project was founded last year, but gave its concert debut in May, 2016, and its second performance a month later on World Refugee Day. The ensemble, led by conductor (and refugee from Russia) Lydiya Yankovskaya, performed music by composers who also were forced to flee their countries as refugees. Yankovskaya says, “I hope to demonstrate just how many refugees are around us each day and what we bring to the world.”
5. Youth Orchestra Los Angeles (YOLA) had a banner year. The orchestra of young musicians (many of whom come from extremely challenging circumstances) celebrated its 10th anniversary year in a major way. (YOLA is a partnership among the LA Philharmonic, Expo Center, and Heart of Los Angeles.) In October, they capped off the party with their very first tour on their own, with a finale concert in Oakland conducted by Gustavo Dudamel. Earlier in the year, members of YOLA had the honor of performing at the White House at a dinner honoring the previous year’s National Medal of Arts winners. YOLA musicians also traveled to London to lead a symposium on music education and performed new music at the venerable Ojai Music Festival. Oh…and you may have also seen them at Super Bowl 50, alongside Coldplay, Beyoncé, and Bruno Mars.
So, yeah…2016 wasn’t a total loss. (And there were many more incredible classical music stories this past year that are not listed here.) Tonight, I’ll raise a glass to more inspiration and uplift via classical music in 2017. Happy New Year!
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