Gustavo is America and You Can Too

Like the best summer tomatoes, Thursday night’s LA Philharmonic concert at the Hollywood Bowl was one to savor. Of the six performances conducted by Gustavo Dudamel at the Bowl this year, this was certainly the musician’s concert of the bunch. No superstar soloists, like Yo-Yo Ma or Plácido Domingo, and a 12-tone piano concerto to boot.

Still, 6,523 brave souls schlepped out to the Bowl on a steamy night (well, steamy by Southern California standards) to hear what they could hear.

The concert was part of Dudamel’s ongoing Americas and Americans festival. Inaugurated in his first season as music director, Americas and Americans focuses on the relationships among composers of the North, Central, and South American continent. I say “continent” singular, because that’s how Dudamel defines this landmass that’s separated only by a man-made trench. “We are one America,” he told me back in that first season. And he’s out to prove that through music. He rarely refers to composers by their nationalities, preferring instead to call them all “American.” Continue reading

A Gospel of Social Justice: The Premiere of John Adams’ “The Other Mary”

Gustavo Dudamel and John Adams acknowledging the applause after the performance of “The Gospel According to the Other Mary.” (Photo by: Lawrence K. Ho, Los Angeles Times)

If it walks like a Passion and talks like a Passion, chances are it’s a Passion. But composer John Adams chose not call his most recent work, The Gospel According to the Other Mary, a Passion.

“I just avoided using the word ‘Passion,’” Adams told me earlier this week in a conversation backstage at Walt Disney Concert Hall, “because so many others had [used it] recently. Including Osvaldo [Golijov], but also Sofia Gubaidulina, Wolfgang Rihm, and not to mention that other guy, what’s his name? J.S. Bach.” Continue reading

A Conversation with John Adams: “I’m not sure what art does.”

The world premiere of The Gospel According to the Other Mary, by John Adams, takes place tonight. Gustavo Dudamel conducting the LA Philharmonic, LA Master Chorale, and soloists in this evening-length oratorio (135 minutes, in two acts) about the final days of Jesus’ life.

Yesterday, I had the opportunity to sit down with John Adams, for a chat about the new work. You can hear the audio of our interview at the KUSC blog…or download it as a podcast here.

Below is a transcript of our interview. I’m really looking forward to this concert. I’ll be there Friday night.

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BL: Over the weekend you visited Skid Row, for an event called “Walk the Talk.” I’m just curious if you could tell me a little bit about that experience. Continue reading

A Very Gehry Don Giovanni

LA Phil’s production of Mozart’s Don Giovanni at Walt Disney Concert Hall led by Gustavo Dudamel, in collaboration with Frank Gehry, Rodarte and Christoper Alden. Photo by Mathew Imaging.

Even before the overture started at last night’s LA Philharmonic performance of Mozart’s Don Giovanni, it was clear this wasn’t going to be Gustavo Dudamel’s Don Giovanni. The 31-year-old music director seemed quite pleased to be taking a back seat to Walt Disney Concert Hall architect Frank Gehry, who created the sets for the production, and the fashion-house team known as Rodarte, who designed the costumes. Continue reading